Great story: about an Arab-Jew (Mizrahi) named Bezalel whose parents emigrate from Tunisia to Palestine and so he grows up (like me) without being in the mother Arab Islamic land. But after he grew up he made a YouTube with his moms and it’s got famous in the Tunisia revolution part of the Arab Spring.
I wish I could go to Iran and Iraq and Syria and live there for several years. My country is not my mother country and it is really prison!
The following was translated from the original Hebrew by Dena Shunra.
Lisa Goldman response to me in her piece, “Does Israel’s cultural life offer hope for its democracy?”, and raises important points about the discussion of the connection between the cultural and the political. She explains that Tel Aviv is a sort of a bubble. The avant-garde activity occurring in the metropolis reminds her of something:
“There is also a palpably feverish quality to the creativity in Tel Aviv. It reminds me of descriptions I’ve read of Weimar Berlin, which was also the artistic, scientific and financial capital of a new democracy that was threatened and buffeted by an environment of political extremism. Not to belabour the point or anything, but Weimar Berlin did not exactly make Germany more democratic. It was a feverish and brief explosion of artistic and scientific accomplishment that occurred between two episodes of total war, both ending in incomprehensible destruction.”
The comparison could be true, but I will not easily accept the historical reference. Israeli is a state founded on otherness. Different currents flow out of this otherness and into the culture, and nourish it. Mizrahi music expands and conquers new audiences and is closer to the Middle Eastern culture than the European. It could just as easily be heard in any Arab capital and does not require a European model as a symbol from which it would draw the memory, composition, and forms. Read More…